The Messthetics Get Tickets

Thursday 19 April 2018 11:0 PM
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All the latest The Messthetics events can be found in search or see on the wikipedia page. The Messthetics on wiki. Or look at the Youtube The Messthetics on Youtube

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295 Treadwell Street
Hamden
Connecticut , United States
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Space Ballroom. in Hamden is one of the top concert destinations in the country, with a wide variety of venues and performances. Fans of all types are able to find a price point they’re comfortable with.

How long does a The Messthetics last?

Two hours. Concerts are typically two hours long, with a twenty-minute intermission. Start times for special events vary.

When will The Messthetics

the date and time are shown at the beginning of the page. you will be able to enter the Space Ballroom. - 2018-04-19

Where will the The Messthetics take place?

The Messthetics is appointed in a great place to theSpace Ballroom.. About which we can learn more in wikipedia Space Ballroom. on wiki.
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with SAVAK, Sunwatchers
The last time drummer Brendan Canty and bassist Joe Lally were in a band together, they were the rhythmic architects for Fugazi, an organization whose decade and a half of disciplined progressivism provided a necessary bridge between the zenith of late-punk expression and everything alternative in rock that followed. In 2016, the two were enlisted by guitarist Anthony Pirog in a conspiracy to subvert and reimagine the power trio, bringing fully into the 21st Century a form that may have reached near perfection with Hendrixs Band of Gypsys on the very first day of the 1970s. With a self-titled recording scheduled for release in the Spring of 2018 on Dischord, the Messthetics will widen the reach of a decisive instrumental music that so far, they have only shared with a privileged handful of east coast and southern audiences. Across its eight original compositions and one cover, Anthony guides the sound through complex changes and harmonic densities that might compound, but never confound or muddy its connection with the listeners body. Recorded by Brendan in their practice space, the groups debut gives Anthony ample opportunities to swap guitar textures and styles as freely as an octopus changes patterns. Brendans kit has a big heavy bell that he brought back from the Fugazi days. He maneuvers through this rhythmically shifty music with a fluid briskness that is periodically disrupted by the clang of his bell. Joe spent 8 years in Italy, among other things, woodshedding on eastern rhythms counted in 7 and 13, perfect preparation for the oddly-metered work of the Messthetics. He brings a rock-solid foundation to the groove at the same time playing a harmonic complement as ambitious and interesting as Anthonys lines. Bands can be dangerous when their members have accrued enough mileage to see their chops season into something like musical wisdom. When that understanding has the rare opportunity to percolate through a collaborative environment founded in love and anchored in gratitude, well, then shit can get rather intense. Anthony Pirog writes difficult music because original music usually is. Yet the ideas that he feeds through the Messthetics, are embraced by the Canty-Lally time machine, not just with precision and nuance, but with soul, joy, and groove. These last three are, indeed, the big guns in this spiritual war that music must become in the post-Trump era. The initial concept was to mix noise/improv guitar with dance grooves a kind of apocalyptic dance party where the beat keeps you moving, but the guitarist relentlessly terrorizes you. The first track, Mythomania retains elements of that posture, but as reality has itself become more daunting, Anthony a fearless guitarist has moved closer to his listeners, and is now willing to astonish without being so confrontational about it. That doesnt mean the Messthetics in any way retreat from the responsibilities of a hard sound, just that its volume and edge never eat the bold structural ideas that define this new music. Anthony will even lubricate his tricky time signatures with energetic two-note riffs to keep the listener head-bobbing through the twisting structures. And when their collective voice is thick and heavy (like on Crowds and Power), it is neither ponderous nor plodding. Their performances and this debut recording have a lift and buoyancy that reflect back into the audience the love and gratitude at the foundation of this trios journey

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